Literary Technologies: Digital Poetry Meets Orality

Authors

  • María Teresa Vilariño Picos Universidade de Santiago de Compostela

DOI:

https://doi.org/10.37536/preh.2013.1.2.636

Keywords:

Cyberliterature, Multimedia, Orality, Digital Poetry, Performativity

Abstract

The new digital and electronic media force us to redefine the contrasting notions of orality and literacy, which now move into cyberespace. These technologies are memory machines which help to preserve knowledge, and increase its productivity by means of multimedia codes capable of generating manipulable works which could not be accomplished by the classic media. Those works are often defined by their open and fragmentary nature, allowing interactive and open access, and teamwork in different locations. This article concentrates on digital poetry and its movement back to orality, subverting systematic, rule-bound, linear and ordered spaces in writing.

References

Aarseth, Espen (1997): Cybertexts. Perspectives on Ergodic Literature. Baltimore/Londres, The John Hopkins University Press.

Abuín González, Anxo (2010): “Espaces acoustiques, textures sonores: Oralité tertiaire et langages électroniques”. En: Recherche Littéraire/Literary Research, vol. 26, n.º 51-52, pp. 3-14.

Accidents Polipoètics (1992): Accidents Polipoètics. Urgell, Dentro di me.

Accidents Polipoètics (1997): Más triste es robar. Barcelona, Del Khan.

Accidents Polipoètics (2003): Todos tenemos razón. Barcelona, La Tempestad.

Auslander, Philip (1992): Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. Michigan, The University of Michigan Press.

Balpe, Jean Pierre (s. a.): Rencontres Medias 1 (1996- 1997). Aspects des nouvelles technologies de l’information. París, BPI en Actes, pp. 145-163.

Beiguelman, Giselle (2007): “Nomadic Poems”. En: Media Poetry. An International Anthology. Chicago, The University of Chicago Press, pp. 97-103.

Birringer, Johannes (1993): Thetre, Theory, Postmodernism. Bloomington, Indiana University Press.

Blesa, Túa (1998): Logofagias. Los trazos del silencio. Zaragoza, Universidad de Zaragoza.

Bolter, Jay David (1991): Writing Space. The Computer, Hypertext and the History of Writing. Hillsdale (New Jersey), Lawrence Erlbaum Associates.

Bootz, Philippe (2010): “The Unsatisfied Reading”. En: Bootz, Philippe y Baldwin, Sandy (eds.) (2010): Regards croisés. Perspectives on Digital Literature. Morgantown, West Virginia University Press, pp. 11-25.

Cañas, Dionisio y González Tardón, Carlos (2010): ¿Puede un computador escribir un poema de amor?: tecnorromanticismo y poesía electrónica. Madrid, Devenir.

Cayley, John (2007): “Beyond Codexspace: Potentialities of Literary Cybertext”. En: Media Poetry. An International Anthology. Chicago, The University of Chicago Press, pp. 105-125.

Frangione, Nicola (2006): “Performance Art and Action Poetry – beyond work of Art plural”. En: <http://performancelogia.blogspot.com/2007/04/poesa-y-performance.html>.

Gache, Belén (2006): Escrituras Nómades. Gijón, Trea.

Gonçalves, Fernando (2005): “Laurie Anderson e as apropiações estéticas da mídia e da tecnologia na arte da performance”. En: Comunicação, Mídia e Consumo, vol. 2, n.º 4, pp. 183-193. Disponible en <http://www.revistas.univerciencia.org/index.php/comunicacaomidiaeconsumo/article/view/5130/4749>.

Gonçalves, Fernando (s. a.): “Performing the Trojan Horse: Laurie Anderson’s strategies of resistance and the «postmedia era»”. En: <http://people.brunel.ac.uk/bst/2no2/Papers/Fernando~Performing%20the%20Trojan%20Horse.htm>.

Havelock, Eric A. (1986): The Muse Learns to Write. Reflections on Orality and Literacy from Antiquity to the Present. New Haven / Londres, Yale University Press. Traducción al castellano de Luis Bredlow Wenda: La musa aprende a escribir. Reflexiones sobreoralidad y escritura desde la Antigüedad hasta el presente. Barcelona, Paidós, 1996.

Howell, John (ed.) (1992): Laurie Anderson. Nueva York, Balliet & Fitzgerald Inc.

Kac, Eduardo (2007): Media Poetry. An International Anthology. Chicago, The University of Chicago Press.

Kress, Gunther (1998): “Emerging Literacies. Visual and Verbal Modes of Representation in electronically mediated communication: the potentials of new forms of text”. En: Ilana Snyder (ed.): Page to Screen. Taking Literacy into the Electronic Era. Londres / Nueva York, Routledge, pp. 53-79.

Kruglanski, Orit (2007): “Interactive Poems”. En: Media Poetry. An International Anthology. Chicago, The University of Chicago Press, pp. 77-84.

Lévy, Pierre (1994): L’intelligence collective. Pour une anthropologie du cyberspace. París, La Découverte. Traducción al portugués de Fátima Leal Gaspar y Carlos Gaspar: A Inteligência Colectiva. Para uma Antropologia do Ciberespaço. Lisboa, Instituto Piaget, 1994.

Lévy, Pierre (1997): Cyberculture. Rapport au Conseil de l’Europe dans le cadre du projet “Nouvelles technologies: cooperation culturelle et communication”. París, Éditions Odile Jacob / Édts. du Conseil de l’Europe.

Luiz dos Santos, Alckmar (2010): “How to read words in Digital Literature”. En: Philippe Bootz y Sandy Baldwin (eds.): Regards croisés. Perspectives on Digital Literature. Morgantown, West Virginia University Press, pp. 84-90.

Mackenzie, Jon (1997): “Laurie Anderson for Dummies”. En: The Drama Review, vol. 41, n.º 2, pp. 30-50.

Manovich, Lev (2003): “New Media from Borges to HTML”. En: Noah Wardif-Fruin and Nick Montfort (ed.): The New Media Reader. Cambridge-Massachusetts, The MIT Press, pp. 13-25.

Mason, Bruce Lionel (1998): “E-Texts: The Orality and Literacy Issue Revisited”. En: Oral Tradition, vol. 13, n.º 2, pp. 306-329.

Mayans i Planells, Joan (2002): Género Chat o cómo la etnografía puso un pie en el ciberespacio. Barcelona, Gedisa.

Minarelli, Enzo (1987): Tramesa d’Art, Valencia. Disponible en <http://www.3vitre.it/index.html>.

Ong, Walter J. (1982): Orality and Literacy. The Technologizing of the Word. Traducción al castellano de Angélica Scherp: Oralidad y escritura: tecnologías de la palabra. México, FCE , 2009.

Ong, Walter J. (1988): “Before Textuality: Orality and Interpretation”. En: Oral Tradition, vol. 3, n.º 3, pp. 259-269.

Ong, Walter J. (1995): “Hermeneutic Forever: Voice, Text, Digitization, and the «I»”. En: Oral Tradition, vol. 10, n.º 1, pp. 3-26.

Sabater, Xavier (1992): Polipoesia. Primera Antologia. Barcelona, Sabater Edicions.

Saemmer, Alexandra (2010): “Textual material in the Digital Medium”. En: Philippe Bootz y Sandy Baldwin (eds.): Regards croisés. Perspectives on Digital Literature. Morgantown, West Virginia University Press, pp. 93-104.

Strehovec, Janez (2003): “Text as a loop: On the digital Poetry”. Melbourne, DAC. Disponible en http://www.hypertext.rmit.edu.au/dac/papers/Strehovec.pdf.

Strehovec, Janez (2010): “Digital Poetry beyond the metaphysics of «Projective Saying»”. En: Philippe Bootz y Sandy Baldwin (eds.): Regards croisés. Perspectives on Digital Literature. Morgantown, West Virginia University Press, pp. 63-76.

Strickland, Stephanie (2007): “Quantum Poetics: Six Thoughts”. En: Eduardo Kac (ed.): Media Poetry. An International Anthology. Chicago, The University of Chicago Press, pp. 25-44.

Turkle, Sherry (2004): “Collaborative Selves, Collaborative Worlds: Identity in the Information Age”. En: James A. Inman, Cheryl Reed y Peter Sands (eds.): Electronic Collaboration in the Humanities. Issues and Options. Mahwah/New Jersey/Londres, Lawrence Erlbaum Associates, pp. 3-12.

Ulmer, Gregory L. (1994): Heuretics. The Logic of Invention. Baltimore, The John Hopkins University Press.

Vilariño Picos, María Teresa (2009): “La cultura digital en los Estudios literarios: Ciber/textual/especialidades poéticas”. En: Amelia Sanz Cabrerizo (ed.): Teoría Española con voz propia (Homenaje a José Antonio Mayoral). Madrid: Arco Libros, pp. 235-261.

Vilariño Picos, María Teresa (2011): “La Hermenéutica en el ciberespacio: de William Gibson a Roman Ingarden”. En: Ámbitos, n.º 25, pp. 87-98.

Williams, Saul (2003): “The Future of Language”. En: Mark Eleveld (ed.): The Spoken Word Revolution (Slam, Hip Hop & the Poetry of a New Generation). Naperville: Sourcebooks, pp. 58-60.

Zumthor, Paul (1983): Introduction à la poesie orale. París, Éditions du Seuil. Traducción al castellano de Mª Concepción García-Lomas: Introducción a la poesía oral. Madrid, Taurus-Alfaguara, 1991.

Published

2013-09-01

How to Cite

Vilariño Picos, M. T. (2013). Literary Technologies: Digital Poetry Meets Orality. Pasavento. Revista De Estudios Hispánicos, 1(2), 217–229. https://doi.org/10.37536/preh.2013.1.2.636

Similar Articles

<< < 1 2 3 4 5 6 > >> 

You may also start an advanced similarity search for this article.