The Fantasmical Gothic Heterotopia in Rhode Montijo’s Pablo’s Inferno
DOI:
https://doi.org/10.37536/cr.2021.16.2981Palabras clave:
cómic chicano, gótico, patrimonio mexicoamericano, gótico infantil, folklor mexicano, mitología aztecaResumen
La obra de Rhode Montijo se caracteriza por una mezcla distintiva de elementos diversos que convergen en su "mundo fantástico". Como dibujante de cómics, es autor de la serie limitada Pablo's Inferno (1999-2000), que narra el viaje de un niño mexicano-americano por el inframundo. Acompañado por el semidiós caído Quetzal, Pablo se embarca en una búsqueda para (re)descubrir sus raíces culturales y comprometerse con ellas. Como la mayor parte de la obra de Montijo, la serie de cómics posee un modo gótico intrínseco que explota la naturaleza lúdica del medio del cómic e interroga la herencia mexicano-americana, mediante la absorción de diferentes géneros, tropos y elementos diegéticos. Al examinar el uso del distintivo gótico de su obra, el análisis destacará la representación de los elementos que el autor recuperó de su fuerte conexión con la herencia mexicana y los modos de la ficción gótica infantil, revelando el singular género cruzado que Montijo creó para transmitir las cuestiones relacionadas con la identidad propias de la experiencia mexicano-americana.
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Derechos de autor 2025 Anna Marta Marini
Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.
